"A look in and a look out for artist and audience" 

The Observatory is a mobile artist studio and workshop designed to encourage interaction between artists and their audience, through a blurring of public and private and inside and outside spaces.

Four architectural assistants from FCBStudios (Charlotte Knight, Ross Galtress, Mina Gospavic and Lauren Shevills) together with Devon-based artist Edward Crumpton won a competition to create a structure that could house multi-disciplinary artists and directly engage with the public. They responded to the brief by creating two rotating wooden structures:

• The Study: a private and weather-tight artist’s studio.
• The Workshop: a space for the artist to present their work and encounter the public in.

The team was inspired by the geometric forms of Sol de Wit and a 15^th century painting Saint Jerome in His Study in which the viewer looks into the framed space of the artist, with a landscape framed beyond.

With these ideas in mind, The Observatory frames the artist’s space inside and its surrounding landscapes outside. Artist or audience can rotate the buildings, which like telescopes, can face new points of interest –
a nod to the coastal defence ‘look out’ structures often found along the British coastline.

Dark charred timber panels, created using a Japanese technique called Shou Sugi Ban form the external cladding. This richly textured, outer layer contrasts with the smooth lighter woods used inside the cabins. Edward Crumpton’s knotted and tarred marlin rope screen adds further decorative detail that will weather beautifully over time.

The Observatory will occupy four locations across the South of England over a two year period, giving twelve artists the opportunity of a two month residency each. A wood-burning stove provides heat, the solar panel on the roof is enough to power a light bulb and a laptop, and rainwater harvesting supplies the artist’s sink with water.

Watch short films of the resident artist experiences on location